- Mar 26 Thu 2009 00:48
-
Wi Ding Ho's feature project in L’ATELIER of Cannes 2009 台灣導演何蔚庭入選坎城電影基金會
- Mar 13 Fri 2009 18:18
-
Jake Pollock's cinematography note on "Summer Afternoon"

Jake Pollock's cinematography on "Summer Afternoon" has been praised:
"masterful" (International Film Festival of Rotterdam)
- Feb 26 Thu 2009 00:40
-
Wi Ding Ho's RESPIRE screened in The National Gallery, London

Wi Ding Ho's Cannes winning short film RESPIRE has been selected in
The National Gallery, London Film Program: Man Without Woman Film Season.
- Feb 25 Wed 2009 21:11
-
“呼吸”在倫敦國立美術館
- Jan 09 Fri 2009 17:05
-
【夏午】預告 "Summer Afternoon" Trailer
- Apr 17 Fri 2009 00:28
-
Press from Variety: Wi Ding Ho's feature project in L’ATELIER of Cannes 2009
ttp://www.variety.com/index.asp?layout=print_story&articleid=VR1118001259&categoryid=-1
Posted: Mon., Mar.
16, 2009, 8:50am PT
Posted: Mon., Mar.
16, 2009, 8:50am PT
- Feb 18 Wed 2009 00:49
-
鹿特丹國際影展:“夏午”的英文評價 / Short Review from Rotterdam International Film Festival:

A masterful minor exercise in telling a story with a twist and an
equally masterful exercise in the dramatic use of what's known as a
Steadycam, a camera with flowing motion. The car journey with one lover
too many gets completely out of hand. And after the twist, another one
follows. Cleverly filmed.
- Dec 24 Wed 2008 12:13
-
UPDATE:【夏午】的世界旅行 Film Festival Tour of "Summer Afternoon"
2009
International Film Festival of Rotterdam, Netherlands 荷蘭鹿特丹
Festival de Cinéma des trois Amériques (FC3A), Quebec, Canada 加拿大
International Film Festival of Rotterdam, Netherlands 荷蘭鹿特丹
Festival de Cinéma des trois Amériques (FC3A), Quebec, Canada 加拿大
- Dec 17 Wed 2008 09:34
-
Second wind- from The Star Online
Second wind
Ho Widing, a Malaysian director based in Taiwan, is taking his
career in his stride.
By ALLAN KOAY
Ho Widing, a Malaysian director based in Taiwan, is taking his
career in his stride.
By ALLAN KOAY
- Dec 05 Fri 2008 21:24
-
導演談夏午

談“夏午”
很多人好奇地問我,完成短片“呼吸”後,為什麼不拍長片而選擇再拍短片。其實那個導演會不想拍長片?從年輕的時候我一直就想拍長片,接受這個挑戰,只是苦無適合的機會。在“呼吸”後,我就開始籌備兩個長片計劃。一部是“台北星期天”,另一部是“Lonely Together”。籌備過程讓我覺得拍長片不能勉強。每個片子有它自己的時間。籌備長片計劃的過程也讓我不斷反思自己是不是己經準備好拍長片?雖然“呼吸”反應很好,入圍坎城影展,拿了些獎, 但這就代表我已經準備好拍攝一部長片嗎?我心裡還是不很踏實;我仍然覺得我是幸運的,或是只是時機好。
我必須拍另一部短片再度挑戰自己和磨練自己。
1
